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Alistair M. Stiegmann Creative Director • Artist • Brand Strategist //SUBTRACT
Alistair M. Stiegmann Creative Director • Artist • Brand Strategist //SUBTRACT
Les Collections
Think
한글
Lithostyle
Communication Arts
About
Contact
Alistair M. Stiegmann Creative Director • Artist • Brand Strategist //SUBTRACT
Alistair M. Stiegmann Creative Director • Artist • Brand Strategist //SUBTRACT
Les Collections
Think
한글
Lithostyle
Communication Arts
About
Contact
Les Collections
Think
한글
Lithostyle
Communication Arts
About
Contact
Lithographic Style Prints Store A moment, reimagined.
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A moment, reimagined.

300,00 €

Artist: Alistair M. Stiegmann
Dimensions: 90 x 60 cm
Medium: Spray paint and collage on canvas. Custom Shadow-Box Framing by Stéphanie (Sevilla) Stiegmann.

This piece is part of an ongoing exploration into memory, place, and permanence. Originating as my own original photograph, the image was transferred onto Claire Fontaine Creative Paper using a manual, time-intensive process that embraces imperfection and texture as expressive tools.

I’m drawn to the quiet tension between the mechanical and the ephemeral—between the stark geometry of urban structures and the fleeting presence of light, shadow, and movement. In this image, the solitary vehicle, mid-century in style, serves as both subject and symbol: a witness to time, nostalgia, and the evolving identity of American cityscapes.

The transfer technique I employ intentionally distorts and erodes the photographic clarity, inviting viewers to engage with the work not just as a document, but as a memory—fragile, imprecise, and deeply human. By merging photography with analog processes, I aim to slow the viewer down and offer a tactile, almost meditative pause within our otherwise fast-scrolling visual culture.

This work is as much about process as it is about place—each print is unique, bearing the marks of its making.

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Artist: Alistair M. Stiegmann
Dimensions: 90 x 60 cm
Medium: Spray paint and collage on canvas. Custom Shadow-Box Framing by Stéphanie (Sevilla) Stiegmann.

This piece is part of an ongoing exploration into memory, place, and permanence. Originating as my own original photograph, the image was transferred onto Claire Fontaine Creative Paper using a manual, time-intensive process that embraces imperfection and texture as expressive tools.

I’m drawn to the quiet tension between the mechanical and the ephemeral—between the stark geometry of urban structures and the fleeting presence of light, shadow, and movement. In this image, the solitary vehicle, mid-century in style, serves as both subject and symbol: a witness to time, nostalgia, and the evolving identity of American cityscapes.

The transfer technique I employ intentionally distorts and erodes the photographic clarity, inviting viewers to engage with the work not just as a document, but as a memory—fragile, imprecise, and deeply human. By merging photography with analog processes, I aim to slow the viewer down and offer a tactile, almost meditative pause within our otherwise fast-scrolling visual culture.

This work is as much about process as it is about place—each print is unique, bearing the marks of its making.

Artist: Alistair M. Stiegmann
Dimensions: 90 x 60 cm
Medium: Spray paint and collage on canvas. Custom Shadow-Box Framing by Stéphanie (Sevilla) Stiegmann.

This piece is part of an ongoing exploration into memory, place, and permanence. Originating as my own original photograph, the image was transferred onto Claire Fontaine Creative Paper using a manual, time-intensive process that embraces imperfection and texture as expressive tools.

I’m drawn to the quiet tension between the mechanical and the ephemeral—between the stark geometry of urban structures and the fleeting presence of light, shadow, and movement. In this image, the solitary vehicle, mid-century in style, serves as both subject and symbol: a witness to time, nostalgia, and the evolving identity of American cityscapes.

The transfer technique I employ intentionally distorts and erodes the photographic clarity, inviting viewers to engage with the work not just as a document, but as a memory—fragile, imprecise, and deeply human. By merging photography with analog processes, I aim to slow the viewer down and offer a tactile, almost meditative pause within our otherwise fast-scrolling visual culture.

This work is as much about process as it is about place—each print is unique, bearing the marks of its making.

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